History has shown the traditional DSLR reigns supreme, but the continuous release cycle of Sony, Fujifilm, Nikon, and other mirrorless cameras show the market is ripe for growth. Every manufacturer is now putting forward new or upgraded mirrorless cameras.
You can’t browse YouTube or any photography blog without a debate raging over mirrorless cameras. Which is the best? What lenses? Should you stick to DSLRs? Pros and cons of each. It’s endless, so we decided to collect the best models out on the market right now into a guide and explain the benefits and drawbacks of each.
Our breakdown includes the highest-end models which have the latest in weather sealing, electronic viewfinders, and excellent autofocusing. And we include the budget models that can get you kitted out for less than $1000 including a lens. Perfect for those not wanting to jump into the deep end of photography.
Sure, it doesn’t have the absurd megapixel count of the a7r III, relying on a brand new 24MP BSI sensor. The a7 III can’t match the 20 fps of the a9, instead easily hitting 10 fps using both mechanical and the silent electronic shutter.
What it does borrow is the autofocus system from the a9 – a 693-point AF system covering 92% of the sensor. The new Z battery makes an appearance, along with two SD cards. The basic a7 line finally jumps on the 4K mirrorless camera train and outperforms the a7r III in that it gives a full pixel readout of the sensor. No more pixel binning. It oversamples to 6K and has the option to enter APS-C mode, effectively giving you two focal lengths with one lens.
It has 15 stops of dynamic range, and the battery life will get you in the area of 700+ shots. That’s damn good for a mirrorless system, and while we wait on the promised a7s III, Sony a7 III fulfills the role as a low-light champion.
Sony may bill the camera as the basic model, but damn if it doesn’t impress on the price point. If you are looking to get into one of the best full-frame mirrorless cameras, this is one hell of a camera. It has its drawbacks, but the features trimmed from the a7r III and the a9 are one’s users workaround. 10 fps is still lightning fast. 24 MP is a solid sensor. 4K video is there, and Sony’s IBIS is ever-present.
It also enjoys regular firmware updates complete with new features. Timelapse made it back into the camera as did a brand new Animal-AF mode. Think Eye-AF for people, and you get the idea.
And at less than $2K (Amazon / B&H / Adorama), you can immediately invest in solid lenses for the body.
Best Sony a7 III Lenses
It depends on your use case, but you can put together quite the focal lengths in a few lenses. Native will cost more, so we will break it down by native and budget or third-party.
Our runner-up has the ‘cool factor.’ It also gives a nod to the APS-C crowd. While full-frame mirrorless camera fans look down on the crop sensor, it offers portability and more accessibility thanks to the weight it sheds.
The successor to the X-T2, Fujifilm keeps everything we loved about the X-T2 and builds upon it. All while lowering the price (Amazon / B&H / Adorama). That’s different. Maybe you could toss Apple a hint about pricing in the future. A 26.1 MP sensor gives it the APS-C sensor crown, while improved AF and a new X-Trans processor open up a world of options.
Where the X-T2 was hampered without the battery grip, the X-T3 (Amazon / B&H / Adorama) has no limitations. The battery grip does what a battery grip should do. Add battery life and vertical shutter release. That’s a hint, Nikon.
What You’ll Like: Everything is improved upon. Fujifilm rightly kept the retro styling with the dials on top. It’s also a 4k mirrorless camera with 60 FPS support and makes a mockery of all the recent full-frame announcements. The X-T3 is one of the most well-rounded APS-C cameras and has a company willing to support it with pro-level lenses.
What You Might Not: Those holding out for IBIS will be a bit disappointed. It’s reserved for the X-H1. Still, we would have liked to see it, and it’s a missing feature you need to be aware of when making a purchase.
Best Fujifilm X-T3 Lenses
Unlike other manufacturers, Fujifilm X Mount doesn’t get much love from the third party. But the company also doesn’t price gouge you on lens prices. Even the kit lenses are solid.
Better is subjective. Mirrorless cameras do have advantages over their DSLR counterparts. They are more likely to be lighter, more compact and generally better for hybrid shooters with interest in video. The electronic viewfinder (EVF) allows you to essentially preview and adjust aperture, ISO, shutter speed on the fly before taking the image.
What is a Mirrorless Camera?
A mirrorless camera (for the purpose of this guide) is a mirrorless interchangeable lens camera. It’s in the name, but it lacks a mirror found in traditional DSLRs and uses an image sensor to send an image to the EVF or LCD screen. The lack of a mirror allows the camera bodies to be more compact.
Which brand has the best mirrorless camera?
If you’re looking for experience within the mirrorless camera market, then Sony hands down. The company has multiple camera bodies entering their third and fourth generation. Cameras such as the Sony a7 III are award-winning and represent one of the best values to features in a camera ever released.
Another brand with plenty of fans is Fujifilm. It focuses mainly on APS-C mirrorless cameras but has a devout following even with the lack of third-party lenses.
What is the best beginner mirrorless camera?
A solid beginner mirrorless camera would be the Sony a6400 (Amazon / B&H / Adorama). It’s under $1000 and has similar features to full-frame cameras which cost double. It’s a crop sensor, so that has to be taken into account, but Sony’s e-mount makes upgrading to a full-frame easy later down the line.
Are mirrorless cameras as good as a DSLR?
Yes. It wasn’t always the case, but a professional-grade mirrorless camera is as good, if not better than a DSLR. On the prosumer level, the difference is even starker. Mirrorless has quickly supplanted the older DSLR cameras in terms of features and price points.
Are Mirrorless Cameras Silent?
They are much quieter than a DSLR. There is no mirror, so each shutter push does not flip a mirror to expose the image. The only sound a mirrorless camera makes is the sound of its aperture-closing, and some models have pushed the noise levels below the ambient audio of a room.
Mirrorless Camera vs DSLR
The age-old debate of the mirrorless camera vs. DSLR. A few years ago, most would agree the DSLR still reigned supreme. Today? Every major camera manufacturer has released at least one mirrorless camera body with most have at least three on the market.
Which is better? You’ll have your brand loyalists scream and shout, but right now even the most hardened DSLR fan will admit mirrorless cameras are quickly outstripping DSLR cameras. The watershed moment was the release of the Sony a7 III. Never before had there been a camera with its kind of feature set for the price point.
It was quickly followed up in 2018 with Canon, Nikon, and Panasonic all jumping into the mirrorless market. The rapid pace of camera bodies was heavily tilted towards mirrorless cameras vs. DSLR camera bodies. That’s not to say there isn’t some development on the DSLR side. Nikon recently announced the D6, and expectations are for Canon to release a follow-up to the 1DX Mark II.
Sony Mirrorless Cameras
Sony is the preeminent brand of mirrorless cameras currently thanks to the company’s relentless camera body release schedule. In 2019, Sony is on pace to release five mirrorless camera bodies.
Sony Full-Frame Mirrorless Cameras
Sony a7r IV
In a surprise to most observers, Sony went ahead with updating the a7r line to the next-generation over the highly-anticipated a7s III. Instead, it was a complete overhaul into the a7r IV. At the old price of the a7r III. You can get a slightly older generation for sub $3000 or the new megapixel monster at $3500 (Amazon / B&H / Adorama).
The headline changes between the two generations are the megapixel count, autofocus system, and better ergonomics. That’s right. A Sony mirrorless camera with a better grip. That only took five years.
Sony a7r IV features:
61 MP BSI CMOS sensor
567 focal-plane phase-detection AF covering 74% of the sensor and 425 contrast AF points
15 stops of dynamic range
10fps continuous shooting with full AF/AE tracking
Buffer lasts approx 7 seconds in full-frame
26.2 MP APS-C crop mode
5.76 million dot OLED EVF
WiFi and USB-C connectivity
4K video with 6K oversampling with no pixel binning
S-Log3 and HDR support
Multi-Interface Shoe with a digital audio interface
Improved Ergonomics and Weather Sealing
One feature missing is still no 4K video at 60fps. Sony is obviously saving it for the a7s III, but it’s nearing the point of a unicorn feature. It’ll get there. One day…
The use case of the Sony a7r IV is landscape and portraits. It’s fast enough for weddings and some sports, but the file size will be extreme shooting 61-megapixel RAW photos. If you don’t mind the stacks of SD cards and external hard drives, the a7r IV is the ultimate mirrorless megapixel monster.
Think what’s great about the Sony a9, shove most of it into an a7r II body, and you get the a7r III. And the pricing is absurdly aggressive. I know Sony has other divisions, but damn if they aren’t taking the DJI approach of muscling competitors out of the way.
Not saying they will ever knock off Canon or Nikon, but the old guard needs to act with a sense of urgency as mirrorless captures more of the market share. It’s a hell of a response against Nikon’s D850 and is priced to move at $2500 (Amazon / B&H / Adorama). It was Sony’s megapixel monster until the a7r IV, but a 42MP BSI CMOS sensor is still massive paired with 10fps, and a 399-point AF system.
Video lovers have plenty to like with this 4k mirrorless camera.
This isn’t a knock against Sony, but with all camera companies. Where is 4K at 60 fps? The new iPhones shoot that. It’s time to push the limits as the hybrid shooters grow in numbers.
What you’ll love: It’s a better version of the a7r II in every way. Better battery life. Frames per second. Autofocus. You name it; it has it. And the price is something professionals and enthusiasts can handle.
What you might not: Weather resistance was mentioned in passing. At this point, we have to start asking what gives on equipment stretching past $2500. The build quality is there, but for whatever reason, Sony seems to always fall behind in this area.
The company’s latest flagship to take on the likes of Nikon and Canon. Before the a9, fast shooting remained firmly in DSLR territory. That ended with the announcement of the Sony a9 and its 20fps capability. Compare that to 14fps on the Canon 1DX Mark II or the 12 on the Nikon D5. Then, of course, there’s the price difference.
At $3500, the Sony a9 (Amazon / B&H / Adorama) is the cheapest among flagships, mirrorless or DSLR. Other features include a 693-point phase-detection autofocus system, five-axis image stabilization, 4K video and everything else Sony keeps innovating and shoving into cameras at a blistering rate.
24.MP Stacked CMOS Sensor
20 fps with silent shooting
693-point wide-area phase-detection AF and 425-point contrast-detection AF
ISO 100-51200 (expands to a range of 50-204800)
What You’ll Love: If you’re an action or wildlife photographer looking for a mirrorless system, this is it.
Why You Don’t Need It: Same reason why some will love it. If you’re not hardcore into the above niches, there are better, cheaper options. Especially the a7 III which more than chops the price in half. Sure, it’s not shooting at a blistering 20fps, but it did borrow the AF system and the new Z battery.
Best Sony a9 Lenses
Some changes here as you’ll want to step up in the telephoto range. Unfortunately, it means we lose the third party options for now unless it has been adapted.
The Sony a6600 doesn’t replace the a6500, but it definitely claims the mantle as the company’s flagship APS-C. It represents one of the most significant overhauls of the APS-C line as its the only camera body in its class from Sony to receive the Z-battery. That increases the battery life over similar Sony mirrorless cameras by 200%.
Adding the Z-battery forced a few design tweaks, which includes better ergonomics. Announced alongside the a6100, the Sony a6600 features the same 425-point Phase Detection autofocus system, 11fps burst shooting, 4K video at 30fps and the flip-up touchscreen.
In addition to the Z-battery, the Sony a6600 also gains a newly improved IBIS system over the a6500 and real-time autofocus tracking for video. A headphone jack is included alongside the mic jack for audio monitoring. The extra features push the price to $1500, but for a compact hybrid camera with features normally costing double, it definitely has value baked into the camera body (Amazon / B&H / Adorama).
Best Sony a6600 lenses
In the past, Sony has been derided for the lack of native APS-C lenses. That changed with the launch of the a6100 and a6600 which saw two new native lenses including a G Master.
Sony shocked and angered more than a few fans of its a6000-series when it quickly updated the a6300 with the a6500. It’s not necessarily worth an upgrade, but if you’re in the market, the Sony a6500 does offer more than a few welcome additions to the APS-C format (Amazon / B&H / Adorama).
It sits firmly in the mid-range budget-wise. It’s a 4k mirrorless camera with five-axis stabilization found in its full-frames, weather sealing and a superb autofocusing system for $1200. That’s hard to pass up.
4K Oversampled to 6K
Eye, Animal autofocus
Autofocus: 425 phase-detection AF points
ISO 100-25600 (expandable to 51200)
And if the tech doesn’t sell you, the form factor will. The a6500 is compact and punches well above its weight class. You’ll see plenty of shooters using it as a backup or even as their primary camera. Sure, we all want more E-mount lens options, but Sony is rapidly building up a stable of lenses for any situation.
What You’ll Love: It’s compact enough to make you think you bought a point-and-shoot that’s a mirrorless interchangeable lens camera.
What You Might Hate: Lens options and the potential for overheating issues remains. It’s not as bad, but if you’re into vlogging, there are better answers.
Sony’s attempt to take control of the vlogging world. Instead of a flip out screen, it opted for a vertical flip screen. If you’re imagining this blocks the hot shoe mount for an external microphone, you’d be correct. However, SmallRig has come up with a rather ingenious adapter to relocate a cold shoe mount and still take full advantage of the vertical screen. It’s a problem we shouldn’t have to fix, but it works.
In a bit of weird naming schemes, the a6400 is actually the newer of the APS-C cameras for Sony. Yep, that means the Sony a6500 is older than the new a6400. What gives? One feature it loses is IBIS, which for vlogging is an odd choice. Thankfully the weight and compact form factor make up for the missing feature. And a starting price of $899 definitely helps users forget about IBIS (Amazon / B&H / Adorama).
4K video Oversampled to 6K
Eye, Animal, and Real-Time Tracking autofocus
Autofocus: 425 phase-detection AF points
ISO 100-32000 (expandable to 102400)
Like all Sony mirrorless cameras, firmware updates have been adding features. Animal AF and timelapses are now integrated into the camera. Let those pet pictures shine.
What You’ll Love: The price to features makes it one to watch. The flip-up screen is solid though it requires an inexpensive hack to extend its usefulness. Lightweight and better specs compared to the a6500.
What You Might Not: The lack of IBIS on a camera marketed as a vlogging solution is a bit of an odd choice.
Sony’s entry-level mirrorless camera. It’s an APS-C, but it punches way above its price of $750. Like its predecessor, the a6400, and its more advanced sibling, the a6600, the Sony a6100 is almost like a baby a9. Autofocus is fast with a 0.02 acquisition speed paired 425-point phase-detection AF system (Amazon / B&H / Adorama).
It comes complete with the latest Sony mirrorless technology including the new 24.2-megapixel CMOS sensor with a BIONZ X processor. Real-time Eye AF is enabled on stills for both humans and animals. The 11fps burst shooting is helped along with real-time AF tracking ensuring most if not all of your shots are in focus.
In a nod to the vloggers out there, a flip-up touchscreen is featured to help compose your video along with a mic jack for better audio options.
At $750, there are a few options left on the table for Sony’s more expensive a6600. Namely IBIS(in-body image stabilization) and real-time autofocus tracking for video. Those aren’t deal-breakers, and for $750, compromises always pop up with certain features left out. Considering what is included, the $750 price tag is a massive value.
Best Sony a6100 lenses
In the past, Sony has been derided for the lack of native APS-C lenses. That changed with the launch of the a6100 and a6600.
After waiting for years, Nikon finally became serious about mirrorless camera bodies in 2018 releasing two camera bodies.
A clear competitor to the Sony a7 III, the Nikon Z6 (Amazon / B&H / Adorama) is squarely targeted at Nikon DSLR owners who own a lot of Nikkor lenses. You’ll need the adapter for current F-mount lenses while the company rushes to fill out its Z-mount lens roadmap. It’s the new mount which has fans buzzing. Nikon promises faster lenses, but damn are they expensive. The 58mm f/0.95 comes in north of $5000 and is a behemoth.
What distances itself from Sony is it has solid ergonomics and excellent weather sealing. The 24.5MP sensor boasts a 275-point PDAF system and can shoot 12 FPS. Nikon was never known for video, but it looks like the Z series is learning to embrace it, offering 4K video at 30 fps and hybrid AF.
What You’ll Like: If you’re a Nikon owner, your lenses can be adapted, and it’s about as close to native as you will ever get with adapted lenses. Ergonomics and weather sealing are two pluses mentioned above. Nikon has also taken a page from Sony by adding features via firmware updates. Eye AF is now available on the camera.
What You Might Not: No dual card slots. Sony has it on the a7 III. The Fuji X-T3 has it, and it’s a smaller body. While XQD is fantastic, it’s a relatively new technology. Personally, I’ve never had an SD card fail. That doesn’t mean it can’t happen and it’s an odd oversight by Nikon. Another negative which will gradually disappear is the lack of lenses. The Nikon Z6 is a new system with a new mount. Patience will be needed for the company to build native lenses.
Best Nikon Z6 Lenses
First, get the Nikon FTZ adapter. It immediately opens up the Nikon F-mount library to fit the new Z-Mount. For native Z-Mount lenses, the choices are still slim, but there are a couple of gems:
For third party lenses, make sure the adapters are compatible with the camera. The Z-mount is still new, so don’t expect a lot of third-party lenses just yet.
With the Z6 competing against the a7 III, the Nikon Z7 (Amazon / B&H / Adorama) is targeting the a7r III. The pitfalls found in the Z6 are present in the high-megapixel Z7. No dual card slots. Lack of lenses. Like the Z6, the lack of lenses will be addressed in time, and the adapter does work well for native lenses.
The marquee feature is the 45.7MP BSI sensor with a 493-point PDAF system on the sensor. ISO ranges reach down to 64 and hit 25,600. At 9FPS, it’s a touch slower than the Z6, but in line with Sony’s a7r III.
What You’ll Like: The increased AF points over the Z6 and its competition, the a7r III. A massive library of F-mount and third-party lenses. It’s the gateway into what should be the future of Nikon’s mirrorless systems.
What You Might Not: It’s not what Nikon fans wanted. The Z7 feels like it’s competing against the a7r II versus the a7r III. Where it takes a step forward, the Nikon Z7 inexplicably takes a step back. Battery life is an issue, and instead of a grip, Nikon is rushing out a battery pack. It’s decisions like that which has some questioning Nikon’s judgment.
Best Nikon Z7 Lenses
Basically the same as the Z6. Grab the adapter. For native, it currently looks like:
Right on the heels of the Nikon announcement was Canon’s surprise announcement of the EOS R mirrorless system. Between Nikon and Canon, it feels like Canon has the most head-scratching decisions. On the one hand, everyone is rightly impressed with the lenses slated for release. They are fantastic but expensive. Canon also pulled a Nikon with a single card slot. The AF system is impressive, with over 5600 points. And it has a flip-out screen for vloggers (Amazon / B&H / Adorama).
And now the head-scratching decisions. The 30MP sensor is borrowed from the Canon 5D IV. What the hell Canon? Why isn’t this a new sensor? Yes the 5D IV is a known quantity, but it’s an odd choice.
What You’ll Like: All the Canon lenses you have in your bag? It will work on the EOS R system which comes with three separate adapters including a control ring, lens adapter, and one to drop in filters (ND and polarizers). That’s a nice touch. Ergonomics and weather-sealing users have come to expect.
What You Might Not: Video. For reasons that escape us, 4K video has a 1.7x crop. The flip-out screen for vloggers is effectively rendered useless by the decision. And of course, no dual card slots. The rationale is lack of room, but Fujifilm’s X-T3 is smaller and found a way to put two slots into the body.
Best Canon EOS R Lenses
Yep, you have to get the adapter to use your extensive library of Canon lenses. On the native side, it’s getting interesting in a hurry:
Canon’s answer to the a7 III? It’s hard to tell because the release felt random and almost as if Canon saw they had another camera lying about and released it. The price of $1299 makes it compelling as its the cheapest full-frame mirrorless on the market.
It does have a few exciting features like the ergonomics, AF performance, Eye AF, low-light performance. Where it falls off is the features it effectively killed. 4K video is unusable thanks to cropping and poor AF. Canon omitted IBIS, and the reduced dynamic range makes the camera a head-scratcher.
It’s a tale of two sensor sizes from Panasonic. The company is undoubtedly on top of the MFT world, but with Canon and Nikon diving into full-frame, Panasonic had more than a bit of FOMO.
Panasonic came out of nowhere in 2018 with its announcement it was entering the full-frame mirrorless camera field (Amazon / B&H / Adorama). Borrowing a bit from Nikon’s strategy, they introduced the Panasonic S1 as a competitor to the Sony a7 III and now the Nikon Z6. They may have been late to the party, but Panasonic came to play.
10 bit 4K video with no crop but 60p is limited to 30 minutes
High-resolution mode for landscape and fine art.
Dual card slots
It all sounds great though it’s a bit more expensive than its rivals at $2500. Where it falls flat is the contrast-detect autofocus. It’s just not as good as a phase-detect AF system. And then there’s the whole charging for a firmware update.
The S1 feels like the camera that almost had it all but dropped the ball in one of the most important areas of a camera body. The autofocus. Also, if you’re looking for a lightweight camera, Panasonic didn’t get that memo.
What does hold promise for all the Panasonic mirrorless cameras is the L-mount alliance between it, Sigma and Leica. Yeah, you weren’t the only one who never imagined that trio teaming up.
The alliance allows Panasonic to immediately answer the critics who point out the lack of native lenses for Canon and Nikon mirrorless bodies. While the S1 launched with only three lenses, Sigma is launching 14 prime L-mount lenses in 2019 alone.
Think the Sony a7r III and the Nikon Z7, and you’re on the right track (Amazon / B&H / Adorama). It’s Panasonic’s megapixel monster at $3699. Unfortunately, the higher price doesn’t equal a better AF system.
10-bit 4K video at 60 fps but knocked down to 15-minute record times
High-resolution mode (187MP) for landscape and fine art.
Dual card slots
Yep, the 4K video at 60 fps takes another hit here. At least it does it whereas its rivals do not. Where the S1 could overcome the AF issue, it’s a harder sell at the price point of the S1R. The Sony a7r III and Nikon Z7 both boast high megapixel counts and the AF systems are solid. Sure, both lack 4K video 60 fps, but at 15-minute caps, it’s not really a feature of the S1R.
Set for an autumn release, Panasonic jumped ahead of Sony with the announcement of the S1H. Consider yourself on notice Sony. The a7s III has its work cut out for it. There’s a lot we don’t know, but the camera clearly caters to videographers:
The 6K video is the headliner, and Panasonic had to install vents to prevent overheating. 4K video at 60 fps with no limits comes standard which throws down the gauntlet at Sony. The L-mount primes emerging from Sigma will make this a compelling camera if Sony doesn’t answer with the a7s III (Amazon / B&H / Adorama).
Panasonic Full Frame Lens Options
While the company didn’t have a ton of lenses at launch, the L-Mount alliance with Leica and Sigma guarantees it a solid native lens portfolio (Amazon / B&H / Adorama).
Fuji Mirrorless Cameras
What I love about Fuji is it is unabashedly comfortable in its position as the APS-C mirrorless camera of choice. Sure, it may not have the market share or get the play on YouTube Sony manages, but it’s damn good at what it does and why it earns our runner up spot for the best mirrorless camera of 2019.
Love the X-T3, but not ready to shell out the cash? Fujifilm’s X-T30 (Amazon / B&H / Adorama) is a solid answer. It packs a ton of features in a compact body. You lose some of the upper-end features of the flagship X-T3, but at $899, is that really a complaint? It still shoots 4K video at 30 fps, features the 26.1MP X-Trans BSI CMOS sensor, and an OLED EVF.
Other features of the X-T3 do make an appearance with the camera able to perform film simulation and grain effects in-body. Fuji takes its history seriously – not only in the retro design – but the rich analog film history.
It’s a generation older than the X-T3, but who says mirrorless cameras can’t maintain excellent features, an old-school feel, and a solid price? Fujifilm definitely agrees by keeping the X-T2 around (Amazon / B&H).
If you don’t have the cash for a Sony a7 III or looking at an APS-C body for accessibility reasons, Fujifilm offers a solid alternative for $1099, which includes an excellent kit lens. And it wins on aesthetics. You’ll immediately fall in love with the old school knobs on top to give it that retro feel of an analog camera. Add in Fujifilm’s insanely gorgeous image and color quality, and it’s a winner. Those needing lenses have their pick from a wide assortment of Fujinon lenses.
The $999 price point definitely doesn’t hurt its cause. Fujifilm has shifted with its latest flagship away from being a direct competitor to Sony in the full-frame space. The company has instead moved towards medium format, leaving the flagships like the X-T2 in the APS-C category of sensors.
Weight: 17.9 oz
What You’ll Love: All the technology packed into a retro body. Hard not to love the fusion of the two.
What Holds It Back: It has 4K video, but if you lean more videographer over a photographer, then Panasonic or Sony is your better option. Also, the battery grip increases functionality, which is a bit of a bummer considering grips should only extend battery life, not functionality. Still, at $1099, if you give a little on the quirks of the 4K, it’s a solid deal and will always start a conversation thanks to its style.
Fuji’s latest release continues its willingness to capture as much of the mirrorless APS-C market as possible. The Fujifilm X-H1 (Amazon / B&H / Adorama) does stray a bit from the X-T2 series with a greater emphasis placed on video. There’s also a substantial upgrade in the megapixel count from 20MP to 24MP.
IBIS is there allowing you to forego a gimbal for most b-roll shots. It’s damn stable as long as you are willing to walk softly and not push it to the max. Fans of recent Fujifilm cameras will be excited to see a couple of the manual dials remain, though the X-H1 does introduce an LCD screen for a quick check of camera information. It’s a nice balance between retro and 21st-century features.
Weight: 23.74 oz
What You’ll Like: Hybrid shooters will love the increased focus on video. Also, it’s a solid APS-C mirrorless system with the 24MP sensor. It has movie controls for days. The X-H1 also retains the retro look of the X-T2 and X-T3. It may have lost a dial, but the added features outweigh the aesthetic.
What You Might Hate: Lens selection. While Fujifilm produces some absolutely sublime choices in the lens department, it can’t be overlooked. It’s an area where it is trailing other camera manufacturers. It will come down to needs. If you need a lens outside the scope of the X-H1, then you need to look elsewhere. If not, Fujifilm is one of the few camera companies that continually updates its camera lineup via firmware.
Don’t want to drop the cash on the flagships Fujifilm cameras above? The X-T20 is still a great camera and a great deal with the 18-55mm kit lens for $999 (Amazon / B&H / Adorama). It may not have the incredible styling of the X-T2 or the wild viewfinder of the Pro2, but the image quality is nearly the same. In the end, that’s what matters.
Video performance takes a nosedive, but that’s expected in an older generation, and there’s no weather sealing. If you plan on getting dusty or wet, it’s something to be aware of when picking out your mirrorless camera.
Best Fujifilm Lenses
Unlike other manufacturers, Fujifilm X-Mount doesn’t get much love from the third party. But the company also doesn’t price gouge you on lens prices. Even the kit lenses are solid.
The biggest mistake is chasing numbers. The most expensive camera isn’t always the best. Take the Sony a9. That’s perfect for hardcore sports and wildlife photographers. But you can just as quickly take an a6500 out on your porch and snap away at birds or to your kid’s game.
What matters in photography is education. Learn everything you can about your camera – the function buttons, menu systems, its pros, and cons. Snap a ton of pictures. All the theory in the world means little if you aren’t outside filling up SD cards.
Lenses. Quality over quantity. Unless you need a ton of lenses, you can get by with two or three. In the end, you’ll find your favorites, and the rest will collect dust. Don’t buy a macro lens because you saw something amazing on Instagram. Ask yourself how often you’ll be out there snapping macro photos. I love it, but it’s a personal preference. I know I’ll use the lens.
If you thought the mirrorless cameras onslaught was over, you would be mistaken. Panasonic’s video entry has been announced, but Sony still has the a7sIII and second-generation a9 to announce. Canon and Nikon are both promising professional bodies.
What does it mean for mirrorless fans? Options. Endless options. Some say it’s a race for a smaller piece of the market, but it’s mirrorless where growth will come from in the coming years. Once people tire of the limitations of a smartphone camera, the next step is a ‘real camera.’